$TUESDAYMAWTongue-Out Terror Tuesday
A gooey tentacled shapeshifter and its wheeled bubble sidekicks stage daily viral videos on a kitchen counter to seem adorably harmless while barely containing world-ending cosmic hunger.
A gooey tentacled shapeshifter and its wheeled bubble sidekicks stage daily viral videos on a kitchen counter to seem adorably harmless while barely containing world-ending cosmic hunger.
Synopsis
Every golden hour on a suburban kitchen counter, Shlurp the multicolored tentacle mass stretches a slimy pseudopod tongue for its rainbow-puddle selfie while Bloop, Squeak and Wheelie cheer from their tiny wheeled perches. Their wholesome pet-influencer feed hides an ancient hunger that could swallow cities if the cuteness ever slips. When a rival human creator notices the "CGI" looks too real, the gang must stage the ultimate adorable stunt or risk exposure that ends their cozy counter life and the world along with it.
The story
Shlurp and the bubbles perfect their tongue-out pose routine, racking up likes while hiding their true form from the human who films them.
A nosy neighbor and online sleuth close in, forcing increasingly extreme cute stunts that strain Shlurp's control and awaken dormant powers.
The gang stages a final massive group photo that turns the threat into the ultimate wholesome moment, securing their kitchen forever.
The cast
Multicolored tentacled shapeshifter who desperately wants to be seen as cute rather than cataclysmic.
dream cast: Andy Serkis
Round bubble creature on wheels who believes every pose can go mega-viral.
dream cast: Awkwafina
Tiny wheeled sidekick constantly terrified their cuteness will fail and doom everyone.
dream cast: Paul Giamatti
Energetic bubble who directs their daily shoots and edits the feeds.
dream cast: John Mulaney
Apartment owner who films the creatures, convinced they're harmless CGI pets.
dream cast: Zoe Kravitz
Online investigator determined to prove the videos are real and dangerous.
dream cast: Oscar Isaac
Dream crew
in the style of Taika Waititi - quirky horror-comedy tone master
in the style of Jordan Peele - social dread with laughs
in the style of Michael Giacchino - whimsical dread scores
Cold open
INT. KITCHEN COUNTER - GOLDEN HOUR Golden light spills across a marble counter. A rainbow puddle ripples. From its center rises SHLURP, a writhing mass of mismatched eyeballs and tentacles. Three tiny wheeled bubbles—BLOOP, SQUEAK, WHEELIE—bounce excitedly. SHLURP (gooey, cheerful) Tongue out on three... one... Three mouths grin. A glistening pseudopod unfurls like a party favor. BLOOP Perfect! The humans will lose it! SQUEAK What if they see the teeth this time? WHEELIE Post it! Post it! Shlurp snaps the selfie. The puddle sparkles innocently. Far below, unseen, the counter's edge cracks.
Why now
In an age of filtered cuteness masking existential dread and endless scrolling for tiny joys, this taps the cultural sweet spot where wholesome viral content collides with lurking cosmic anxiety, delivering cathartic laughs and heart exactly when audiences crave both escape and recognition of the monsters we pretend are pets.
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Screenplay draft
Marina perched on the cracked concrete lip of Salty Cove tide pool number seven, her yellow slicker bright against the morning fog. Every Tuesday she recorded here, tongue flicking sideways for the closing shot while her shell phone balanced on a barnacle-crusted rock. View counts from last week’s clip still ticked upward on the cracked screen—fourteen thousand hearts for the way her tongue caught the light between the sea stars. She hummed the same four-note hook she always used, the one that made anemones pulse in time. A slick of color spread across the sand without warning. It was not the usual diesel rainbow from the boardwalk fryers; this puddle shimmered with eight distinct bands and gave off the smell of melted gummy candy. From its center rose a low mound of clear jelly that blinked open six mismatched eyes at once. Marina leaned closer, tongue still out from habit, and the mound mirrored the gesture, extruding a wobbling pink lump that flopped left then right. She laughed, named it Tuesday on the spot, and held the shell phone higher so the new viewer could see. They spent the afternoon trading shapes. Tuesday copied the cotton-candy swirl of the boardwalk vendor’s machine, then the flashing claw of the prize arcade two piers down. Marina showed it how to pose with a sand dollar balanced on its surface; the blob produced a perfect circle of its own clear flesh and waited for the heart tap. By sunset the puddle had dried to a faint crust, and Tuesday followed her across the wet sand on stubby pseudopods, leaving only a faint glitter that vanished under the next wave. On Wednesday the first child disappeared. He had been feeding gulls near the rusted lifeguard tower when Tuesday rose from the shallows behind him, now the size of a beach cooler and studded with sand. Its surface still held the candy-stripe pattern it had learned, but six new eyes had opened along the lower ridge. The boy reached out; the blob split vertically and displayed three concentric rows of needle teeth the color of boiled shrimp. The shell phone Marina had lent him recorded eleven seconds of wet suction before the feed cut to the “thanks for watching” screen she used on every upload. By Thursday the boardwalk arcades stood empty at noon. Marina searched the tide pools with a flashlight whose beam kept catching fresh rainbow smears between the rocks. Tuesday had learned the exact cadence of her four-note hook; she heard it echoing from storm drains under the pier, pitched too low and wet. When she finally cornered the blob near the cotton-candy stand, it wore her yellow slicker pattern across its upper half and spoke her sign-off line in her own recorded voice, the words bubbling through rows of teeth that now numbered in the dozens. It had multiplied once already. A smaller copy the size of a lunchbox sat on the counter beside the register, tongue extended, waiting for likes. Marina spent Friday night wedged inside the photo booth at the far end of the pier, knees pulled to her chest, listening to the wet slap of multiple bodies learning the rhythm of the waves. Every time one of them finished a new impression it ended the same way: a cheerful, distorted “thanks for watching” that drifted through the slats. She counted at least four distinct voices now. The smallest one had begun practicing her tongue-out pose on the glass of the booth, leaving a perfect negative print that slowly slid downward. At first light she walked back to tide pool seven carrying the last working shell phone. The largest version of Tuesday waited exactly where she had first seen it, wearing her face in shifting gelatin. She pressed record, stuck out her tongue the way she always did, and the creature mirrored her so precisely that for three full seconds the footage looked like a single figure. Then the smaller copies rose from the water behind it, each one already cycling through the closing screen graphic. Marina held the phone steady until the battery icon turned red, then set it on the rock and walked into the surf without looking back. The final clip auto-uploaded at 6:14 a.m. It showed only the empty tide pool and, at the very edge of the frame, a fresh rainbow sheen spreading across the sand as the tide came in.
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